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Snoop Dogg

Snoop Dogg
The Way Life Used to Be

Doggumentary
Priority 2011
Diana Ross

Diana Ross and The Supremes
Reflections

Reflections
Motown 1967
Sample appears at: 0:31 Sample appears at: 0:31
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Producer: DJ Battlecat
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Main genre: Hip-Hop / R&B
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Producer: Holland-Dozier
Tags: More Than 10 Covers, Motown, Single [Add]
Main genre: Soul / Funk / Disco
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More Details

Type Direct Sample
Part Sampled Vocals / Lyrics
Community Rating Sample Rating: 10 (1 Vote)
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Contributed By joshyjosh
173 Submissions

Related Songs

Other songs sampled in Snoop Dogg's The Way Life Used to Be:
Bad Boy/Having a Party Bad Boy/Having a Party by Luther Vandross (1982)
Why You Treat Me So Bad Why You Treat Me So Bad by Club Nouveau (1986)

Other songs that sampled Diana Ross and The Supremes's Reflections:
Reflections Reflections by Natural Instinct (1992)
On Deck On Deck by Anotha Level (1994)
Mr. Amber Shades Mr. Amber Shades by Quarashi (1997)
Time After Time Time After Time by Blak Madeen (2009)
Intro Intro by Reflection Eternal (2010)

Cover versions of Diana Ross and The Supremes's Reflections:
Reflections Reflections by Four Tops (1970)
Reflections Reflections by Sweet (1971)
Reflections Reflections by The Jackson 5 (1973)
Reflections Reflections by Leo Sayer (1976)
Reflections Reflections by Ebony (Disco Group) (1980)
Reflections Reflections by Original Mirrors (1980)
Reflections Reflections by Evelyn Thomas (1985)
Reflections Reflections by Jam Society feat. Danella (1990)
Reflections Reflections by Jimmy Barnes (1991)
Kipinä Kipinä by Anja Niskanen (1991)
Reflections Reflections by Luther Vandross (1994)
Reflections Reflections by Nicole Appleton (2000)
Reflections Reflections by Michael McDonald (2003)
Reflections Reflections by The Temptations (2006)

Discussion

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Kirsh. said on Friday, 01 April 2011:
I remember around 2006, I stumbled across a vinyl record called THE MOTOWN ACAPPELLAS with the Reflections acappella on it. A lot of the motown collection has been pressed with acappellas. That explains why you might hear a Motown sample w/o the rest of the music in the mix.